We've had Straight Out of Compton sat on our coffee table for about six weeks now. I really want to see it, but things keep getting in the way - usually other movies that I'd rather see more, or on occassion just a desire to see something lighter or more comfortable than I imagine it to be. Maybe this week, but maybe not, especially with Strictly Come Dancing being back this week. I know, I know. Anyhow, this week a film I've wanted to see since it was announced dropped through the letter box - Ben Wheatley's adaptation of J G Ballard's High-Rise. Ambitious, but full of acting talent and from a director with good past form, this was something I really had to see.
Friday, September 23, 2016
Tuesday, September 20, 2016
I had a strange thought coming out of Kubo and the Two Strings, the latest glorious stop-motion picture out of Laika, which is that it is strange that we are currently seeing more emotional depth coming out of movies obstensively aimed at children, than those aimed at broader, older audiences. I like my blockbusters, but they're really, really ephemeral, so much that we sometimes talk about the Planet of the Apes films as "smart blockbusters" because they at least attempt to acknowledge the existance of actual ideas, but largely multiplex fodder is just that. What they rarely are is about stuff, apparently content to leave that field for the winter season oscar contenders and, strangely enough, kids movies.
Thursday, September 15, 2016
One of the big downsides of the PS4 is the need to pay for Playstationplus if I want to get online and play Overwatch or Destiny. Grrr. However, this bitter pill is sweetened somewhat by the monthly provision of free games to subscribers, which is actually a pretty cool idea. Each month I've subscribed I've got a couple of free games just for being a subscriber, ranging from small indie puzzlers to larger releases. It's an eclectic mix of choices, to be sure, and some of them will be rubbish (or of no interest) but others are big titles from earlier times. This month, one of the titles is the lauded PS3 indie Journey, which I'd previously missed out on. And now it was free!
Monday, September 12, 2016
One of the two movies we got to watch on Saturdays quiet day around the house was Captain America: Civil War, which irrespective how much I like it - and I do like it a lot - is very much a modern blockbuster in many of it's habits. It's franchise-dependant, hugely expensive, full of shouting and banging and tons of characters and colour and excitement. Yay! And then Robert went to bed, and Ewan went to lurk off upstairs, and got to watch the other one, the low-budget, three-cast stop-motion movie Anomalisa. I'm struggling to think of a stranger double bill.
Friday, September 2, 2016
Just because I have a PS4, it's not to say I've totally abandoned my trusty PC. Z and I are still playing Star Wars: The Old Republic, for starters, but I've also got a stack of unplayed games on my Steam account, and the PC gaming ecosystem is just so much more diverse than the console one. Also the Teenager is playing a lot of Overwatch in the lounge, so there is that, too. So away from the big and flashy excitement of the PS4, I've still be dabbling in the smaller, shorter gems I've not really got around to yet, and this is one of them.
Wednesday, August 31, 2016
My only real aspiration for this blog is to be my own small corner of the internet where I can record my thoughts on the meandering cultural journeys I end up taking through screen and page. I don't have to worry about posting frequency, or if my opinions are half-formed rubbish, because they're mine, and this gives me something to look back on. Sometimes I surprise myself, looking back, at how kind, or mean, I was to something. Anyway, the point is that it's been a rough summer, all told, and so this has dropped off a little bit, so it's time for a bit of an epic catch-up on movies we've seen recently. Here we go.
Monday, August 22, 2016
Nine Worlds has only been around for a couple of years (this is it’s third, i think) but it’s made a splash in that time with a reputation of accessibility, inclusivity and taking a different approach to fandom than many traditional cons. It’s aimed at everyone, but feels representative of the younger, more demographically diverse side of modern fandom, an attempt to move away from the gatekeeping and monoculture that the con scene can get a reputation for (fairly or not). This is our first trip to Nine Worlds - a pair of early-forties straight cisgender geeks, coming to see what the fuss is about.